Cassie Carnage's House of Horror: 'The Last Will and Testament of Rosalind Leigh' Review
When her son returns home after his Mom's death, he finds more is waiting for him than just assets and debts. Not every last will includes the nightmarish. In The Last Will and Testament of Rosalind Leigh, the enigma surrounding the other end of Leon's phone calls works well. Leon turning up to. Technical Merits: The Last Will and Testament of Rosalind Leigh is and we know it might (very likely) end with the discovery of some fiend or.
5 Questions With ‘The Last Will And Testament Of Rosalind Leigh’ Director Rodrigo Gudino
These two factors, along with a passionate love of its characters, make The Last Will and Testament of Rosalind Leigh a gripping attack on the senses. You've seen these tactics pulled off in horror films before, but never quite to this effect.
Above all, this is a story about demons. Not the kind plaguing your annual Paranormal Activity film, or fright-fests like Insidious. This is a tale tackling the demons of the mind: The ones that haunt you when you sleep and have driven others to insanity.
It's about a mother's love, the naivety of childhood, the abrasiveness of religion and the daunting realization that when you die with regrets, then it's your burden to bare. Robert Herrick said it best: Moreover, if your vision is strong enough to bring these fears to life, well, then you have The Last Will and Testament of Rosalind Leigh. On the religious front, it's sometimes tough to pinpoint the statements this movie is trying to bring to the surface, but I think that might be the point.
This is not a blatant Bible-bashing romp through the mind of an insane mother who tortured her child, but a statement on how much more powerful family and human relationships are than anything metaphysical.
In that way, I would go as far as to say it's the "anti-ghost story". Alone in the house and surrounded by her collection of occult relics and decorations, Leon begins to recall his traumatic childhood, during which his mother incessantly tried to induct him into the bizarre cult of angels that she and her husband belonged to. Over the course of the night, the ghosts of Leon's past and the monsters of his present will converge in order to test the strength of his disbelief.
There are two different interpretations that we are encouraged to read from Leon Leigh's journey back through his tortured personal history and decayed family relationships. Rather than being antithetical to one another, these separate readings are both required pieces of the same sad puzzle. At first, we're encouraged to read the haunting that Leon experiences while spending the night in his mother's home as symbolic of him confronting the trauma of his childhood spent with her.
We learn as the film progresses that Rosalind subjected the juvenile Leon to borderline sadistic "games" that sought to pressure him into becoming a believer of her occult faith in the power of angels.
The rift that formed between mother and son was caused by Leon's steadfast refusal to "play" his mother's game and his eventual flight away from the oppressive coercion she placed upon him at home. Now, separated from his experience for many years, Leon begins to subconsciously doubt his decision, despite his outward gestures demonstrating his continued agreement with the conclusions of his younger self e.
Leon begins to fear that his mother was right, and that by turning his back on the angels of her faith he has encouraged the angels to give up protecting him from the horrors of the world.
- The Last Will And Testament Of Rosalind Leigh
- GORELANDO: Film Review: ‘The Last Will and Testament of Rosalind Leigh’
Thus, the horrors of the world come scraping at the front door, in the form of a snarling, impossibly long-limbed cat-beast, a creature that could have oozed its sickeningly hairy form from the pages of one of M. As a final gesture indicating that he's ready to move on, Leon announces his intentions to sell off every bit of Rosalind's property. This chapter of his life has been completed.
But the film's final moments provide us with the second interpretation of the events that have transpired. Rosalind, who has been speaking to us throughout the film as a disembodied voice on the soundtrack, finally reveals her words as emanating from beyond the grave, rather than from the written last will and testament of the title.
GORELANDO: Film Review: ‘The Last Will and Testament of Rosalind Leigh’ | Blogs
From her restless spirit, we learn of her suicide, and how it was motivated by her son's unwillingness to forgive her, the loss of faith that accompanied her belief's inability to set things right, and the subsequent loneliness that crept up on her, "like an animal ready to pounce," over the years spent without her beloved son.
We learn that in her continuously cruel desperation to coerce and control her son's feelings, she leaves Leon a suicide note reading, "Do you miss me as much as I miss you?The Last Will and Testament of Rosalind Leigh
The Leon of the film is Rosalind's fantasy, an imaginative torture she puts herself through nightly as she watches, again and again, her son abandon her and her beliefs, even as she cries out pitifully for him to stay. The ghost becomes the haunted, and rightfully so. Rosalind's inability to understand the effect of her actions on her son, and thus her unwillingness to seek forgiveness or change her ways, marks her for her haunted fate.
We could call this existence Rosalind has made for herself a sort of hell, but perhaps not: