Ada Monroe from Cold Mountain | CharacTour
Everything you ever wanted to know about Inman in Cold Mountain, written by masters of Analysis · Questions · Quizzes · Flashcards · Best of the Web · Write Essay Frazier sets up a great romantic tension by showing us how much Ada and he had held in his mind the wish to kiss her there at the back of her neck, and. Cold Mountain opens with the novel's main character, Inman, recovering from a young man (Inman), telling him that she is committed to an open and frank relationship, For both Inman and Ada, Cold Mountain represents their better selves. So Inman hikes across half the American South (with no Google maps, dude), and Ada just stays at home, right? Nope. Ada stays at home, sure, but she has her.
Anthony Minghella then thought deeply and cast a number of people who had little or no link to North Carolina, nor much physical resemblance to the characters described in Charles Frazier's much-loved debut novel. English beauty Jude Law plays W.
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Inman, a Blue Ridge farm boy who decides to walk kilometres back to Ada after he takes part in one too many battles and gets hisself shot in the neck. Advertisement The internationalism doesn't stop there: Brendan Gleeson, an Irishman, plays Stobrod, a musical deserter; Eileen Atkins, renowned British actress, plays Maddy, a loner who raises goats in the woods; Cockney hard man Ray Winstone plays Teague, a vicious landowner who fancies Ada.
There's nothing wrong with international casting per se, and America in the s had Irish and English and Negro killing each other alongside native-born Americans. The problem is the international actors are playing Americans, and it shows.
Great actors they all are, but they're encouraged to do too much acting here. The accents twang like the strings of an untuned banjo. Cold Mountain arrives with much fanfare, but rarely have I seen a film with such meticulous attention to detail and so little realism. It's a very American story and milieu, but Minghella is an English director with a special fondness for British and Australian actors. That worked beautifully in The English Patient, but not here.
It might be explained by the traditional differences between American and British screen acting the latter being generally more theatricalbut I don't think so. Kidman is skilled at American characters, yet she doesn't look convinced by her role. And one of the hardest to believe is Zellwegger, one of the few Americans in the film and a southerner, to boot. Frazier describes Ruby thus: Naturally, you think of Zellwegger, right?
It's the kind of film where the principals are gorgeous and everyone else is plain, or downright ugly.
The casting pretty much ruined the movie for me, but if it hadn't, Minghella's heavy symbolism and poetic pictorialism probably would have. Exhibit A, for the prosecution: The morning of its inauguration, Ada and Inman discover a white dove flapping inside the whitewashed chapel.
He then whistles and the bird hops onto his finger, just like that. This is Ruby Renee Zellwegerand the picture gets a shot in the arm the moment this bundle of can-do energy comes bounding onscreen 50 minutes in. Entrancingly enacted by Zellweger and Kidman, relationship between the two women provides the story with its strongest positive dynamic in a world dominated by conflict, suspicion and violence.
Latter are just what Inman encounters with nearly every step. Spotting an anguished reverend named Veasey Philip Seymour Hoffman about to dump a black girl into a river, Inman rescues her, learns that the pastor had made her pregnant and executes his own proper justice by tying Veasey up in town and posting a note describing his crime. When they meet again later, Veasey forgives Inman as they embark on a drunken evening that ends with the pair captured by a Confederate officer and marched off on a chain gang.
With a Southern defeat now inevitable, activities are stepped up by the Home Guard, trigger-happy enforcers who roam the countryside ferreting out deserters and those who aid them. Even less than in the book, slaves and black characters are observed only in passing, and there are no pipe-sucking Southern colonels in rocking chairs lamenting the passing of the old ways.
All this is fine and well, but also missing is a real feeling of the Old South, a deep sense of the mores and attitudes and manner of living that knitted the people together. In a role that could have been a helpless wilting lily for quite a while, Kidman supplies all manner of subtle inflections and increasingly radiant expressions that keep Ada interesting and make her grow, which she does through her relationship with Ruby and then moreso when Inman returns.
Nor does it hurt that Zellweger is the only authentic Southerner among the principal cast.Cold Mountain- Ada and Inman
Ace editor Walter Murch helped bring in the picture at a length that feels right for the story being told.