A Highly Scientific Analysis of Angel vs. Riley vs. Spike | Forever Young Adult
Buffy, Angel, and Spike are natural fighters who have conquered hell demons, . This marks the ending of the Buffy and Angel relationship and Whedon created a Napier's excellent volume combines biography with cinematic analysis in a. This model, like Riley's model, is an accurate statement to Buffy and Angel's relationship because they successfully have all three elements: the. In the discussion of power structures within Buffy, the Slayer's romantic relationship with the Vampire Angel is interesting. Buffy and Angel have.
The speech that Xander gives Buffy at this point to convince her that Riley ought to stay is infuriating. And speaking of Angel: S1 is only twelve episodes long. A sidenote here about Xander: Despite remembering everything he did while under the influence of the hyena spirit, Xander feigns amnesia in order to dodge the consequences of his actions, putting him on the same page as Angel, Parker and Riley.
But despite the difference in their demonic aspects — Xander is possessed by a hyena spirit, while Spike is soulless — the two states nonetheless appear to be rather similar, in that both are guided by primal urges while still retaining their base personalities.
Xander, it seems, has less decency at times than someone who physically lacks a conscience. Which is, I think, the best definition for vampirehood in the Buffyverse. Becoming a vampire invests you with bloodlust and demonic strength while stripping you of your conscience: He makes a shrine to Buffy, furnished with clothes and photos stolen from her house.
The demon in him is selfish, lustful and possessive, but the good man, the poet, so long dormant, is fighting for control.
I had a think tank with Megan on my Sailor Scout Communicator, and the only thing she came up with was. I know Angel's a hard act to follow, but come on, Finn!
Just try to keep up, ok? Oh, and he punched out that jerk Parker who used Buffy for sex. I mean, where were the William the Bloody poems?! However, Spike did reinstate his soul for Buffy. Even if the circumstances of his motivation were, um, unsavoury more on this later. And Angel is the O. I would have given up everything I had to be with him. I loved him more than I will ever love anything in this life.
Buffy, episode 7x5, "Selfless" Lastly, Angel's favourite sport is hockey! And he clearly shares FYA's entertainment sensibilities, as he is a huge fan of Passions aka only the best soap in the history of time!
Spike also gets the best lines and gives everyone nicknames. So why are we pausing this v. I guess it's some consolation that this only happens because being with her gives him true happiness. Y'know, Angel, you can just show your gratitude with words or errm actions!
So unless she's suddenly dropped the 's' from her job title, this relationship is as taboo as it gets. Angel, I hereby strip you of infinity more points. And also your clothes. Your Irish accent is atrocious While it's not as an insurmountable obstacle as being a vampire, it's also not an ideal circumstance for rekindling a relationship Back when he was with Buffy, Riley became v.
Desperate to understand the appeal of vampires to Buffy, he solicited vampire hookers to feed on him Just pack your points and go.
At least they can boff like bunnies! Unfortch, that's about the only good aspect of his relationship with Buffy.
As hot as they were together, it was hella destructive and unhealthy And Buffy knows it, too: I can't love you. I'm just being weak and selfish and it's killing me. Buffy, episode 6x15, "As You Were" So here are some acceptable items that one could commission in the likeness of their paramour: And remember that time Spike got a soul for Buffy?
Aww, wasn't that nice? What say you, Buffy? Ask me again why I could never love you. Buffy, episode 6x19, "Seeing Red" Individually, Spike's infractions are measurable in the laboratory.
Considered as a whole, however.
Ever hear of a box of chocolates? It may not be the most original, but at least it doesn't traumatize the girl you're trying to get with! Spike, you've broken math. I love your enthusiasm, but how the bloody hell do you justify those away?
Love Hurts, or, Why Buffy Couldn't Find Love
I genuinely want to know. I KNOW, but such is the way of science! Never in the hallowed halls of the Highly Scientific Analysis has this occurred, because never have the subjects not all been human. None of the issues that have been keeping Buffy and Angel apart have been resolved. She's a slayer, he's a vampire, and the world is still teeming with Big Bads.
But let's say those crazy kids go for it anyway. Where does that lead them? The fact that Buffy and Spike are the first to make the shift from confidants to lovers is not insignificant. They have a history that progressed to this point rather than one that starts from it, an early indication to a more mature and messy adult relationship, even in light of being currently driven by lust and not love. When Buffy and Spike acknowledge the ability to feel something through their partner through sex, they both engage in mutual enjoyment.
The problem with their pleasure friendship is that falling into lust under separate pretenses proves harmful to both of them. They both desire the other partner to make them feel, but while Spike is in love with Buffy, Buffy is using Spike for sex. What is clear, however, is that Buffy is ashamed of herself.
Spike, on the other hand, is and always has been the one more emotionally invested. While Spike enjoys sex with Buffy, he continues to push for something deeper with her despite her insistence that it will never happen. In a climactic moment, Buffy, in a manner that Wilcox notably points out is similar to when Faith beat on her own body, pummels Spike in the face mercilessly while insisting that he or substitute she cannot love or feel anything real because he she is dead.
Love Hurts, or, Why Buffy Couldn't Find Love - PopMatters
The problem with Buffy and Spike is that lust cannot survive on its own. Through the lust, they are able to express the same desire to feel through the other partner, but they do not feel equally. Spike feels love, while Buffy feels shame. Buffy is wise to end the relationship, but to have Spike go from an erotic pleasure partner back to the confidant that he was before their connection turned sexual, is simply not logical for them.
I could never trust you enough for it to be love. The second she kicks him off, it is harder to say who is more horrified by his actions. Perhaps the reason that the imbalance between Buffy and Spike has existed all this time is not solely because their feelings for one another have never been mutually shared, but also because they have always been, at their core, two separate beings; one with a soul and one without.
Spike acknowledges this at last, and seeks the necessary change. Though Spike is already well on his way to Africa at that point, the fact that Buffy even agrees to the idea is something.
It cannot simply be severed, but the elements that now comprise and define it are left intentionally ambiguous for their sake… and the sake of the seventh season. The seventh season finds Buffy and Spike estranged and ambiguous to one another.Buffy & Angel: Broken Love
Second, he wholeheartedly acknowledges to Buffy that his attempted assault on her was unforgivable and that he has changed, but prevents Anya from revealing his soul by starting a fight in the Bronze with his usual attitude and goads that negates the previous testament.
This conscious attempt to ignore who he is and what he has become fails him, and he later removes his shirt: The difference here is that Spike is no longer beneath Buffy; he is not an empty shell that a human once inhabited, for like her he has a soul — an asset that has proved so often in the past makes all the difference.
Everyone believes that he is a liability and it is significant that the first person that asks Buffy to dispatch him is Spike himself. And Spike does ask for her help in a step towards his own redemption.
When he asks for her help now, it is not an exchange, but rather the notion of saving himself for the good of others. If Buffy and Spike no longer have a utility friendship, a pleasure friendship, or a concrete foundation for any other definition, what are they to one another? Spike is wise enough to know now that Buffy is not keeping him alive because of love, but is riveted by her admission of belief in him: You faced the monster inside of you and you fought back.
You may not see it, but I do. I believe in you, Spike. Two years ago, it was Spike who rationalized to Buffy why he could be a good man and why he was worthy of her respect.
The role reversal provides the potential for Buffy and Spike to build a newfound bond that will ultimately become more meaningful than any other they have shared.
It is this same bond that carries Buffy and Spike into deeper loyalty and devotion for one another despite their ambiguity in definition.
For Giles, soul or no soul, the threat of releasing a demon into the world that has already been a target of the First Evil is not a worthwhile risk. Buffy reasons that instinct is telling her that Spike can be a better man. Here, even Giles addresses the lack of clarity in their growing bond: You rely on him, he relies on you.
Subsequently, when the First Evil reveals that it has unfinished plans for Spike down the road, Spike offers to leave town, citing that with the addition of Wood as another demon fighter, Buffy will manage fine without him. He is asked because Buffy herself is not ready to be separated from him, and Spike stays with her, even with the knowledge that staying could bring further harm to everyone involved. The three key elements of having a complete friendship are therefore utility, pleasure, and an unconditional value in the partner for who they are.
By now, Buffy and Spike have utility again due to their common goal as warriors in the fight against the First Evil. The other two elements are gained in this episode when Buffy is exiled from the Summers house and appears adamant in committing herself to defeat. At her lowest, it is Spike who comes through to her with strength and love: Hey, look at me. I love what you are, what you do, how you try. And I understand with perfect clarity exactly what you are.
It is here that they regain the element of pleasure in their complete friendship — while it is not sexual, it is physical and sensual and above all, powerful.